The Grudge is the first film of 3 in a
series of Japanese Horrors; the target audience is 15-30 year olds as the
rating is a 15, allowing the main Horror fan audience to see the film. The
storyline is about a American nurse living in Tokyo is exposed to a curse which
locks onto a person in a powerful rage before claiming there life in a painful
way and then moving onto the next victim. It was directed by Takashi Shimizu
and stars Sarah Michelle Gellar, Jason Behr and Clea DuVall.
The first 2 minutes stars with the Columbia
statute panning into the shot, with some slow eerie music in the background.
This then fades to black, a door then fades in, it looks old and rusty. The
sort you would expect to see in a Horror film. It then shuts by itself, you
know this as you can see both handles due to the angle it the zooms in on the
keyhole for a skeletons head to be visible on the other side and the title
Ghost House Pictures appears, this allows the audience to know that they are
watching a Horror film, as Ghost House production does specialize in Horror
films. This then fades to black again the music is still audible but it is
quiet. A line comes onto the screen, it helps explain about the curse which
features in the film. This then fades out but the word curse stays there and
turns red then fades out. This is very symbolic, without even seeing the film
the audience already know that the film is going to be about a curse, and the
red color suggests that it is going to be the killer in the film. Another line
then comes onto screen, explaining about how the curse will gather in the place
of death of the person who was killed by hatred. This time instead of the word
Curse staying on screen, the word Death does, this suggests to the reader that
people are going to die in the film. A third line appears on the screen after
this one, this one talks about how the fury will overcome its victim. And the
word fury stays this time. This strengthens the fact that the curse is born of
anger.
At 01:05 the first actual footage fades in. It fades in on a civilized
area, which is quite populated
suggesting that it is the suburbs. It helps set the scene by, letting
the audience it is set in Japan as an oriental boat is seen on the river and it
gives the audience a basic knowledge of where the film is going to take place.
A character then pans into shot. A white ginger male, with probable British
ethnicity. The creepy music is no longer playing; all you can hear is the sound
of the cars driving, which is visible in the background. The man is on a
balcony and his facial expression shows some distress. The camera then cuts to
another shot of his face, and a woman in the bed is visible behind him, and she
calls the name Peter. She asks if he is okay but he does not reply this
suggests to the audience that Peter is not all right and he is distressed in
some way. She try’s to have a conversation with him by saying how he is up
early. He turns round to look at her but doesn’t say anything. This is weird and
is there to Creep out the audience. He then turns back out and swings himself over
the balcony. The way he does it shows resistance but he is the only person by
the balcony. Suggesting to the audience that the Curse is at work. The camera
then goes to his perspective and you fall to the ground to hear a splatting
sort of noise. You then see the shock on the woman’s face in the next shot. You
see her peer over the balcony at the
body. Which is on the floor with the limbs spread out to each side. Creepy
piano music then begins. The first to 2 minutes of the film then ends.
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